UNTIL THY WRATH BE PAST

Åsa Larsson

Translated by Laurie Thompson

MacLehose Press (www.maclehosepress.com)

£12.99

Released: 4th August 2011

 

In the early spring thaw, the body of a young woman is discovered floating in the river Torne, in the northern extremes of Sweden. It doesn’t take long for police to discover that it’s the body of Wilma Persson, who went missing along with her boyfriend during the depths of winter late the previous year. Unable to accept the obvious explanation – that the couple died accidentally while diving – District Prosecutor Rebecka Martinsson and Police Inspector Anna-Maria Mella ruffle feathers in an attempt to get to the truth and bring the couple’s murderer to justice.

Until Thy Wrath Be Past – the title comes from a quotation from the Book of Job – is Larsson’s third novel featuring the troubled Prosecutor who is adjusting to life above the Arctic Circle in the Swedish city of Kiruna. It’s a straightforward police procedural where the identity of Wilma Persson’s murderer is never in question, not least to the investigators at the centre of the novel. Even so, it is oddly gripping, driven to a large extent by the why rather than the who or the how of many traditional crime novels.

Martinsson and Mella – presumably there is a reason the latter is not included in the series title – are a pair of down-to-earth women. Martinsson is readjusting to life in the quiet city of Kiruna after time spent living and working in Stockholm. She’s recently been released from a psychiatric hospital following a breakdown brought on by one of her previous cases and trying – with varying degrees of success – to get back to a normal way of life. Mella is the tough-as-nails, break-all-the-rules detective with a stable family life – a loving husband and four children keep her busy out of hours. The biggest problem with taking Wrath as your starting point for this series – as I have done – is that you miss a lot of the interpersonal dynamics. This is a standalone case which is completely self-contained within the covers of the book, at least in terms of the main plot. But there is two books’ worth of history here that define these people and how they interact with one another. It would be impossible to write the novel without some reference to what has gone before, but it can be frustrating for the first-time visitor to this part of the world. I’d recommend considering The Savage Altar as a starting point and working your way forward.

Around half of the novel is told from the point of view of the victim. The opening chapter describes the dive and the drowning and is expertly written: told in the first person, it will leave you short of breath and eager for more. Wilma appears to Martinsson early in the novel to provide assistance – an act which Martinsson remembers as a dream. There is a touch of Alice Sebold’s The Lovely Bones in the handling of Wilma’s story and a kinship with John Connolly’s Charlie Parker novels – this is a human drama that straddles the line between crime and supernatural “horror”.

There is something distinctly Swedish – unpronounceable names, of which there are many, aside – about how Larsson tells her story, something laid-back about her prose that reminds me of the first time I read Henning Mankell, which would be the best comparison I could come up with should someone ask the question “who is she like?” While Larsson’s Kiruna and Mankell’s Ystad could not be farther apart and still be in the same country – Ystad sits serenely on the south coast while Kiruna rests in the triangle where the borders of Sweden, Finland and Norway meet – they could not be more similar: there’s something positively rural about both places, and much of the police work seems to take place outside of the city proper while still falling under the purview of the city’s police force. Larsson’s sense of place is well-defined, and Kiruna and its surroundings come alive within the pages of the book.

In the ever-growing pantheon of Scandinavian crime fiction, it is sometimes difficult to sort the wheat from the chaff. Based on Until Thy Wrath Be Past, Åsa Larsson is definitely worth your time and attention. I suspect that as the series grows, so will this writer’s reputation until it’s Åsa that people think about when they hear the name Larsson. This is an absolute must-read for fans of the Wallander novels in particular and anyone who enjoys Scandi-crime in general.