||Name: TIM LEBBON (writing as T.J. Lebbon)
Author of: WHITE (1999)
30 DAYS OF NIGHT (2007)
THE HUNT (2015)
On the web: www.timlebbon.net
On Twitter: @timlebbon
Tim Lebbon, best known for his horror novels, is releasing his first thriller (under the name T.J. Lebbon) on 16th July. It’s a fast-paced, edge-of-the-seat beauty, and I will be reviewing it here on Reader Dad next week. For now, I’m very pleased – not to mention excited – to welcome Tim to the blog, to talk about the differences between writing in the two genres.
They say you should write about what you know. That’s interesting advice when you’re a horror and dark fantasy writer. I’ve never met zombies and have never seen a ghost, but the advice is not literal. I know about fear and loss, love and grief, and it’s this aspect of what you know that you try to inject into a story to bring it to life.
If you have seen a ghost, all the better.
Until I wrote The Hunt, everything I ever wrote had some element of the supernatural or fantastic about it. This includes over thirty novels (seven in collaboration with Christopher Golden), over twenty novellas, and hundreds of shorts stories, as well as several screenplays. I’ve often been asked why I write horror, and my answers vary quite a bit. Mostly, I just say that it’s the way my parents put my hat on. I don’t like to analyse why I write what I do, in the same why I don’t think too much about why I prefer red wine over white, rock and punk instead of pop, or red meat instead of fish. It’s a matter of taste, and taste is part of what makes us unique.
And then I wrote a thriller.
I’ve been wanting to write a thriller for some time. Part of it was wanting to stretch my writer’s wings a little and see if I could write something that has no supernatural elements. I’ve stopped and started a few thrillers over the years, and one or two of these have changed into horror or even fantasy novels. But with The Hunt I knew what it was right from the beginning.
And it really was writing about what I knew.
I got into endurance sports a little over four years ago. I went from a standing start––overweight and unfit, I found a sport I loved, and it really changed my life. I’ve written elsewhere about the process, what I went through, and how it all happened. Suffice to say, a little over two years after starting to exercise seriously (at the age of 41) I raced my first Ironman. That’s a 2.4 mile swim, 112 mile bike ride, and a marathon, all in under seventeen hours.
I started to learn about effort and pain, the physiology of exercise, the feeling of being up in the hills tired and thirsty and hurting, and still have a few miles to go until home. I loved it. I enjoyed being alone, and discovering a sport which is all about yourself, not teammates.
Being a writer, I knew that I’d write about this one day.
The Hunt is the result, a novel written with no contract in place, and definitely one of the most enjoyable writing experiences I’ve ever had.
So what was the difference between writing The Hunt and any of the horror/fantasy novels I’ve written? In truth, very little difference. The process was the same, and perhaps the greatest change was the amount of research involved in this book over others.
Firstly, I wanted to really use my new experiences as an endurance sports competitor. That was writing about what I knew (or what I was still learning a lot about, at least). Secondly, I had to get the landscape right. Set in the mountains of Wales, I needed to know the nature of the hills and valleys, their ruggedness and beauty, the weather, flora and fauna. Whereas in my fantasy novels I’d been able to make this all up (the sentient tumbleweed in Dusk being a particular favourite), in The Hunt I had to get it right. Although I did take geographical liberties, I like to think I got the feel of the mountains and wilderness just right.
I also had to research trophy hunting. That wasn’t very nice, and perhaps that’s the closest I got to horror with this novel.
Other aspects of writing remained the same. My characters were still thrust into shocking and dangerous situations, the only difference being that the main threat was from other people, not something supernatural (and aren’t we the scariest monsters anyway?).
I suppose the biggest difference about writing The Hunt has been since I’ve actually finished the writing process. After selling it to the very wonderful Avon, I soon came to realise that here I was, over thirty novels into my career, and now I was a debut novelist again! It was a strange feeling, but a strangely liberating one, too. I’m sure a few people will see through the cunning pseudonym of T. J. Lebbon, but working with Avon and their splendid PR company The Light Brigade has been a unique experience for me. I have features and interviews upcoming in the national press, and next week when the paperback is released I’ll see it on supermarket shelves. These are both new experiences for me.
As a debut novelist, these are exciting times!