To celebrate the launch of her latest novel, Hide and Seek, I’m delighted to welcome Amy Bird to Reader Dad to talk about her influences. Amy’s publisher, Carina UK, are running a competition to win a trip to Paris, so be sure to check out the end of the post for details. And don’t forget to check in on the other stops of the blog tour all this coming week.
There are some writers who refuse to read any fiction, lest their style be influenced. I am not such a writer. I always have a book on the go and I read as widely as I can. I like to indulge in plots and words, characters and ideas – both to learn from other writers’ technical skill, but also for the sheer joy of reading. I trust my own style to remain strong, or even get stronger, in the process. For this post, I was asked to write about the influences for my third novel, psychological thriller Hide and Seek. I thought about letting you just have a list of a few books that influence me. But really, I think the question of influence is subtler and runs deeper than that. So I came up with six categories instead.
1. The contemporary psychological thriller – Before I Go To Sleep, Gone Girl, The Dinner and even books like The Secret History are a master-class in plot twists, unusual structure, warped characters, and claustrophobic relationships. These are all key features of the modern psychological thriller. As a writer in the genre, I have to be aware of the expectations of readers, and what really works to turn a page. All four of these books kept me up until 1am. I hope Hide and Seek will have the same effect on you.
2. The classic work of suspense – In this category I would group Rebecca by Daphne Du Maurier, The Ministry of Fear by Graham Greene, and most Hitchcock films. Their hallmarks are setting up a sense of unease before we know what is wrong, and then with the subtlest of details here and there building and building to a danger we know is going to befall the main characters, but we don’t know when or how. In Hide and Seek, we know that something isn’t right in Will’s apparently perfect life. Little by little we understand what that is – and, more alarmingly, what he is going to do about it.
3. Moody, unusual books – I love books that have a dark weirdness to them, when you are plunged into another world that your senses struggle to comprehend. So here I’m thinking of Hangover Square by Patrick Hamilton, Hawthorn & Child by Keith Ridgway, Busy Monsters by William Giraldi and even Crime and Punishment by Dostoyevsky. The way I deal with that in Hide and Seek is to use first person, so that you are immediately thrown into the mind of a stranger and have to orientate yourself. As you get to know the characters, they become less strange. Just as you become comfortable with them, their thoughts start to shock and disturb you, as the extent of their obsessions become clear.
4. Detective and crime fiction – I spent a thrilling three months of my Creative Writing MA studying detective and crime fiction. This ranged from Agatha Christie and Raymond Chandler (a personal favourite) to quirkier books such as In the Cut by Susannah Moore and The Thought Gang by Tibor Fischer. All those books were linked by a quest for truth and a need to uncover secrets that someone else is determined should remain hidden. Hide and Seek isn’t a detective novel in the ‘pure’ sense, but there is the same obsessional search for an answer and the willingness to risk everything in pursuit of the truth.
5. Music – at the heart of Hide and Seek, there is a piano concerto that holds some of the secrets Will is searching for, and which fuels his obsession with his past. I’ve structured the novel as a concerto – it falls into the three parts of exposition, development and recapitulation, plus everything from the motifs to the voices feed back into that structure. I therefore listened to a lot of piano concertos while I was writing Hide and Seek, to get the mood and the pace of my fictitious concerto and the book just right. Tchaikovsky, Grieg, Alkan and Beethoven emerged as the clear favourites. Mostly in a minor key, of course.
6. Everything else – I am always reading with my writer’s hat on. So even if I am enjoying the novel for its plot/ pace/ language/ bizarre characters, I am absorbing interesting sentence structures or devices – or reminding myself never to write like that writer does. At the moment, I’m reading three books: a contemporary crime thriller, a historical comedy-drama, and a real-life Second World War spy story. There’s a brilliant quote by Haruki Murakami: “If you only read the books that everyone else is reading, you can only think what everyone else is thinking.” I hope that the result for readers of Hide and Seek is a novel that goes beyond the confines of its genre, and provides an original reading experience. But you will have to judge that for yourself.
Amy Bird is the author of the thrillers Three Steps Behind You and Yours Is Mine, and now Hide and Seek.
Having moved all over the UK as a child, she now lives in North London with her husband, dividing her time between working part-time as a lawyer and writing.