inquisitor_hardback_1849836558_300 THE INQUISITOR

Mark Allen Smith (www.markallensmith.com)

Simon & Schuster (www.simonandschuster.co.uk)

£12.99

Geiger is a man without a past; his life started with his arrival, several years before, in New York. Before that, a black hole. After chance leads him to the local Mafia boss, he decides to go into Information Retrieval – torturing subjects to extract information required by paying clients – and discovers that he is very good at it. Geiger rarely draws blood, but he has a knack for knowing truth from lies, and for understanding exactly how to get the information he needs. When a client presents a twelve-year-old boy as the subject instead of the expected adult, Geiger acts quickly without considering the consequences for himself or his partner, Harry: he grabs the boy and runs. But the client has the resources to track them down, and the motivation for getting the boy back and finding out what he knows; everyone else is expendable.

I will freely admit that when I read the blurb for The Inquisitor and learned that the author started out life as a screenwriter, I set my expectations for a very specific type of thriller. You know the type – two-dimensional characters and a very cinematic experience; a Jason Statham movie in book form. So I was pleasantly surprised by what I found. The central characters spring from the page fully-formed and with complete backstories, and the book reads like a well-structured novel, rather than the dialogue- and action-heavy converted screenplay we might have expected.

Geiger is a man of few words, and something of an enigma, even to himself. As events progress, we begin to see glimpses into his past, and the events that formed him. Throw in the fact that he has been seeing a psychiatrist since his “rebirth” and Geiger suddenly seems more human than he pretends to be. Given his line of work, he is clearly a man of few scruples, but he does have a strict moral code for which he is willing to sacrifice everything. It is in his relationship with his business partner, Harry, and, ultimately, his fast friendship with the boy, that we see the humanity behind the stone facade and find someone worth rooting for. His choice of name shows us something of the man’s personality:

At first he’d used the name Gray, then Black. One day, passing a Barnes & Noble bookstore, he spotted a book about the artwork of H. R. Giger. The byzantine images appealed to him, as did the name with its twin g’s. For visual symmetry, he added an e and so became Geiger.

Smith offers a taut thriller with dark undertones. The events take place over the course of 24 hours and this compact time-scale allows the author to ratchet up the tension very quickly once the introductions are out of the way. It’s a fast-paced and, most importantly, believable piece of fiction. Smith manages to keep things down-to-earth and on a tight rein: Geiger is no superman, and as the story progresses he becomes more ragged, to the point where we wonder how he keeps moving. The author manages to tell his story without levelling half of New York and, with the exception of one or two little surprises, presents a straightforward tale that is engrossing, entertaining and uncomplicated. Which is not to say that it’s predictable; far from it, but you won’t find any convoluted twists or high-concept macguffins designed purely to confuse the reader. At its heart, The Inquisitor is a tale of evil versus evil – let’s not forget what Geiger does for a living. It’s a daring concept for a first-time author, but it succeeds due to careful plotting and characters who are immediately engaging and intriguing.

The Inquisitor is Mark Allen Smith’s first novel. Well-written and well- (if simply-) plotted, it serves to introduce the character of Geiger and sidekick Harry to the world. It is unlikely, in this reader’s humble opinion, that this is the last we’ll see of either of them. Geiger presents as a cross between Jack Reacher and Sheldon Cooper. While The Inquisitor may not appeal to fans of The Big Bang Theory, fans of Lee Child’s series would do well to give it a shot: it’s an excellent first novel, and brings with it the promise of more to come.

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