Lavie Tidhar (

Hodder & Stoughton (


Released: 24 October 2013

In the summer of 1932, German scientist Dr Joachim Vomacht powers up a device that will change the world; the wave generated by this device will touch every person on the planet. Not everyone will come through the experience unchanged. Fogg and Oblivion are two such individuals, young British men who discover unusual talents in the wake of the Vomacht wave. Recruited by the Old Man, they join the ranks of the Bureau for Superannuated Affairs – the Retirement Bureau – and find themselves at the centre of some of the Twentieth Century’s most important events. Recalled to the Bureau today, Fogg – much older, but relatively un-aged – must give account of his actions in Berlin immediately following the Second World War, because those actions have repercussions for all of the "changed", even now, almost seventy years later.

Lavie Tidhar’s latest novel, The Violent Century, takes us to a world where superheroes are real. And yet, even with these Beyond-Men, Übermenschen, heroes, the history of the world remains relatively unchanged compared to our own. World War 2 proceeds as expected, the same atrocities carried out in the name of racial cleansing; as does the war in Vietnam and the much less-publicised war in Laos. It is, as the Old Man points out early in the novel, as if the Beyond-Men have cancelled each other out; if only one side or the other had them, things might have turned out much differently. In some ways this observation, and the manner in which these heroes seem completely ineffective, reduces them to the mundane, despite the power any one of them might have to affect the course of history.

The story centres around Fogg and Oblivion, two friends – and, it is hinted, perhaps more even than that – who work for the superhero equivalent of British Intelligence, a shadowy organisation that spends much of its time observing, rather than doing. Tidhar sets up a wonderful contrast between the British powers, and those of other countries: the brash, costumed heroes of the United States; the Communist ideals that drive Russia’s Red Sickle; and the Aryan perfection of the white-suited Nazi representatives. In a series of flashbacks – Fogg’s account as he sits in front of the Old Man’s desk in the Bureau for Superannuated Affairs, "tonight” – we catch glimpses of the century that has gone before: the moment of change in 1932; the recruitment process, and the initial training of Fogg and his fellow "changed" men and women; observing the war in Minsk, and in Paris, and elsewhere; and everything that comes after.

Jumping from time period to time period, recollections within recollections, Tidhar pieces together the history of these two men, and builds towards the final reveal, which will ultimately explain the relative coldness that exists between them in the here and now. In a world where superheroes are real, there is no need for the fictional kind and, as a result, some of the world’s greatest comics creators – Joe Shuster and Jerry Siegel, Stan Lee and Jack Kirby – put in cameo appearances as historians, experts in the field. Interestingly enough, it is these characters who have the best lines, and who shine the most light on the questions that the novel repeatedly asks: What makes a man? What makes a hero? "”With great power comes great responsibility,” Lee tells us, echoing one of the best-known morals of any superhero tale, as he speaks at the trial in Jerusalem of Vomacht.

– But what’s a hero? the counsellor says, again.

– It seems to me, Shuster says, it seems to me…you must understand, I think, yes, you need to first understand what it means to be a Jew.

– I think I have some experience in that, the counsellor for the defence says drily – which draws a few laughs from the audience. On the stand, Shuster coughs. His eyes, myopic behind the glasses, assume a dreamy look. Those of us who came out of that war, he says. And before that. From pogroms to persecution and to the New World. To a different kind of persecution, perhaps. But also hope. Our dreams of heroes come from that, I think. Our American heroes are the wish-fulfilment of the immigrants, dazzled by the brashness and the colour of this new world, by its sheer size. We needed larger-than-life heroes, masked heroes to show us that they were the fantasy within each and every one of us.

It’s as close as the novel comes to answering the questions, and we, the reader, are left to decide for ourselves who are the heroes, who the villains. The central characters of this tale are supported by a cast of faces both familiar and new: here is Alan Turing, attached to the training camp for these super-humans rather than Bletchley Park; here, the attendees at the Potsdam conference; a descendant of Vlad the Impaler (or, perhaps, the beast himself); Josef Mengele; Osama bin Laden. The Violent Century is a well-researched and lovingly constructed piece of fiction that, despite its science fiction elements, still manages to remain well within the bounds of realism.

Lavie Tidhar is rapidly becoming one of the most important writers of speculative fiction today. The Violent Century is the work of a writer with talent and confidence to burn. Unlike anything else you’ve ever read, its combination of spy thriller and superhero adventure make for an unusual, but inspired, combination. It’s a wonderful, engaging and thought-provoking novel, written with a style as original as the story itself, and presented by Hodder in a beautiful package that will be hard to resist, even for the most casual collector. Quite simply: perfect!

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