|FEARIE TALES: STORIES OF THE GRIMM AND GRUESOME
Edited by Stephen Jones (www.stephenjoneseditor.com)
Illustrated by Alan Lee
Jo Fletcher Books (www.jofletcherbooks.com)
For most of us, the fairy tale is one of the staples of growing up. Bedtime stories for young children, it’s only when we reach adulthood that we realise just how disturbing they are, how cruel our parents must have been to send us to bed with these images our final goodnight. Of course, Disney has helped somewhat in that regard, making the frightening seem less so, and often changing the structure of the tale to suit their own ends (see, for example, Disney’s treatment of Hans Christian Andersen’s "The Little Mermaid", which bears little resemblance, after a certain point, to the source material.
Most often used as cautionary tales, and used to instil the fear if God (or, at the very least, the Big Bad Wolf) into those more gullible than the teller (children), it’s sometimes difficult to believe that they’ve stood the test of time as well as they have. With Fearie Tales, noted horror anthologist Stephen Jones sets out to return the form to its roots. Using the original tales collected in the early 19th Century by the brothers Grimm as inspiration, Jones presents a collection of modern day fairy tales designed to frighten and unsettle, and written by some of the foremost practitioners of horror and dark fantasy currently working in their respective fields.
Each modern story is prefaced by one of the original Grimm tales, and what follows range from direct translations to more loosely connected stories which, perhaps, share a theme with one if the older tales. Ramsey Campbell presents a modern re-telling of "Rumpelstiltskin", while Neil Gaiman works his magic on the tale of "The Singing Bone". Robert Shearman takes a slightly different approach and puts a sinister twist on the later lives of Hansel and Gretel in a story that will make you reconsider reading the tale of the siblings to your own children. Another re-telling of "Rumpelstiltskin" closes the book, this time by the excellent John Ajvide Lindqvist (and ably translated by the ever-reliable Marlaine Delargy), who introduces the Swedish myth of the tomte, a creature which will likely be unfamiliar to most English-speaking readers.
As with any anthology of fiction, there are always one or two stand-out pieces. With Fearie Tales, the stand-outs are absolute gems, amidst a stellar line-up of authors, from two less likely suspects. The first is Christopher Fowler’s "The Ash-Boy". Fowler is probably best known for his quirky crime novels starring the elderly detective duo Bryant and May, but his roots lie in the horror genre, and it’s one he still frequently visits. In this case, Fowler tells the story of Cinderella with a twist. But it’s the final few paragraphs, where we realise that we’re listening to a father tell this story to his young daughter, that packs the punch and sets this apart from the other stories in the book.
Peter Crowther’s story, "The Artemis Line" is worth the price of admission alone. The titles refers to the physically connected line of bodies that must exist for a troll to move away from a body of water, yet remain connected to it through the connection with its brethren, and the story is a modern-day retelling of the story of the elves who replace a baby with a changeling. One of the longer stories in the book, it grips the reader from the word go and ends all-too-quickly. It is also one of the most frightening tales in the book, Crowther drawing on his vast experience of the genre to live up to the anthology’s title.
It’s a hand, he thought as the scarecrow’s head slowly fell from view, the hat dislodging, pushed up and back by the brim until it fell off completely, exposing a material dome beneath, sprinkled with dry straw.
It’s a hand grasping at my foot, he thought.
The book is illustrated throughout by Alan Lee, best known for his depictions of Tolkien’s Middle Earth. Despite the black-and-white nature of these illustrations – or perhaps because of it – they contain a level of detail and a certain gruesome quality that makes them as likely to stick in the mind of the reader as the stories themselves.
Jones has assembled a list of veritable superstars and set them the task of recreating the stories of Jacob and Wilhelm Grimm in their own inimitable fashion. The result is an excellent collection of dark and thought-provoking tales by the people who do them best: Neil Gaiman, Michael Marshall Smith, Tanith Lee, to name but a few. The inclusion of the original Grimm tales serves as a reminder that those tales we remember so fondly would probably give us nightmares if we were to read them for the first time, in their original form, as adults. This is a must for horror aficionados everywhere, and doubly so for anyone with a penchant for fairy tales in particular. The usual high production values from Jo Fletcher mean this is a book that you’ll want to have displayed on your shelf, and that’s just the icing on the cake. Dark, disturbing but most of all: wonderful.