Aliya Whiteley (aliyawhiteley.wordpress.com)
Unsung Stories (www.unsungstories.co.uk)
The Group have made the Valley of the Rocks their home. Each of them has a role to play: William, the leader; Ben, the doctor; Nathan, the storyteller and keeper of the Group’s history. Like every other settlement on the planet, the Group is made up exclusively of men; every single female has been wiped out by a mysterious illness. Mankind is in its final days: with no way to procreate, this is the final generation of humanity. Until one day Nathan discovers a strange fungus growing on the womens’ graves that will change everything.
We meet the members of the Group through the eyes of twenty-three-year-old Nathan, who lives up to his role as keeper of their collective memory, and the storyteller. There are no women left in the world – or at least that small part of it to which the Group are now, voluntarily, confined – and the men have begun to make peace with the fact that they are the end of the human race. There is a sense of hopelessness that pervades everything they do, and yet they continue to gather, to remember, to spend the final days of humanity with some semblance of civility. When Nathan discovers the strange fungus, and later the Beauty that grows from it, things inevitably change. Here is some hope for the continuation of the race, and the Group begins to split into different factions, some with violence on their minds.
In Aliya Whiteley’s short novella, the focus is very much on the relationships and interactions between the men and the Beauty, as well as a close examination of the dynamics within the Group itself. Jealousy and fear are pitted against love and hope, with no definitive answer concerning who is right. Should the Beauty be trusted, or do they have ulterior motives? Whiteley leaves it up to the reader to decide, giving us enough information to come down on one side of the argument or the other. There are no explanations as to what happened to the Earth’s female population, or what the Beauty are or where they came from, primarily because we only get Nathan’s side of the story and, like the other members of the Group, he has no idea of the answers to either question.
The Beauty is a short piece, and all the more powerful for its brevity. Beautifully written, it’s a disturbing and though-provoking vision of one possible future for mankind. While it’s unlikely to give the reader nightmares, there is plenty here to leave us feeling more than a little uncomfortable. With hints of Golding’s Lord of the Flies, Aliya Whiteley presents an old-fashioned science fiction/horror story that could easily have sprung from the imagination of the great John Wyndham, and stands alongside The Day of the Triffids or The Kraken Wakes as a fine example of the genre. This short (not quite 100 pages long) tale is enough to leave the reader wanting more, and hoping for something more substantial in the near future from Ms Whiteley.
A brief digression to talk about the package itself: The Beauty is one of the first two books from new publisher, Unsung Stories. It’s a beautiful package, from the striking front cover to the internal design, the perfect complement to an excellent story. The publisher’s aim is to get "weird stories, beautifully told" out into the world. The Beauty is an excellent start, and I will be waiting with excitement to see how they plan to follow it.
Short but deeply affecting, The Beauty is a wonderfully written piece of post-apocalyptic fiction that you won’t want to put down once you’ve picked it up. If this short sample is anything to go by, Aliya Whiteley is an exciting new talent and it’s a dead cert that we’ll be hearing much more from her in the future. I, for one, can’t wait to see what she has up her sleeve next. For now, though, this is one you won’t want to miss.