|Name: ZYGMUNT MIŁOSZEWSKI
Author of: ENTANGLEMENT (2010)
There are no schools or universities for writers. Well, there probably are some institutions out there that con people into believing they can be taught how to write, but the only school of writing worth mentioning is every writer’s bookshelf. So if I had to name my best teachers they would be: Astrid Lindgren, Charles Dickens, Kurt Vonnegut, Henning Mankell and Pierre Lemaitre.
Astrid Lindgren taught me that complexity and sophistication aren’t needed to make literature great. That wisdom and depth should be accompanied by light, warm humour and simple language, even when you’re writing about the darkest themes.
Charles Dickens is the only teacher you could possibly need for a Ph.D. in drawing characters.
Kurt Vonnegut makes this list for his constant ”Hey, but seriously?” irony, black humour and – in spite of all – his love of humanity. If you think a novel has to be serious to explain the world and you’re proud of having read Dostoevsky over and over, try Kurt. He explained everything that ever needed to be explained, his books are shorter and they‘re extremely funny.
Without Henning Mankell, I’d never have written a crime novel. I discovered him at the start of my career, and I was amazed to find that the same book can provide an in-depth analysis of a society as well as a gripping and well-plotted crime story. That was when I decided to write a crime novel underlined with a social commentary. Societies, with all their wrongs and lies, have always interested me more than individuals.
Pierre Lemaitre, on the contrary, was the reason why I stopped writing crime stories. I discovered his books and wept. While the rest of us competed within the genre of police procedurals, this French author upped and invented a crime genre of his own. The moment I realized what he had done, I decided to quit the contest. We may only be crime writers, but we’re still artists, whose task is to find our own way, not just to follow trails cut by others.